www.mayadevitry.com

Energized by the spontaneity of live performance and a revelatory pursuit of truth in her lyric writing, Maya de Vitry returns with her fifth full-length album, All My Faith. Prioritizing presence and grit over studio polish, she sounds joyously at home in the alt-country and indie-folk realms. Recorded and mixed by 5-time Grammy Award-winning engineer Sean Sullivan and self-produced by de Vitry, All My Faith is a buoyant gathering of songs brought to life by a cast of her closest confidantes and collaborators. All My Faith will be released on de Vitry’s own Mad Maker Studio label on July 24.

All My Faith consists of 10 original songs that were all written by Maya over the last year. Forgoing the technology often used to “perfect” studio recordings, de Vitry chose instead to fully trust the moment-to-moment musical conversations and choices of the players and singers gathered around her. “When the band realized that I was planning to do no edits whatsoever on these tracks, the level of commitment from everyone just soared. It was a really exciting atmosphere in the studio,” de Vitry recalls.

Originally from the green rolling hills of Lancaster, PA, de Vitry is a Nashville-based artist whose music blurs the lines of folk, indie rock, and Americana. With a voice that glides effortlessly between tenderness and strength, her performances radiate with presence, spontaneity, and soul. An admirer of the dedicated songcraft of writers like John Prine, Gillian Welch, and Townes Van Zandt—and of the stirring vocals of artists like Bonnie Raitt and Nina Simone—Maya de Vitry’s music invites listeners into a space of openness and connection.

All of he songs on the album were all written by Maya over the last year. Throughout the recording process, the band embraced Maya’s concept of it being a completely live performance with no edits, and in the opening title track (available to stream now), the band’s rhythmic trust is palpable.

“I want to touch time with all my faith,” Maya sings in the song that inspired the album’s title, which placed #1 on the AMA / CDX Top 5 Most Added Singles Chart on its debut week! “All My Faith” is an unabashed love song, a joyful surrender to time and the unknown. It expresses a commitment, not just to a person, but to showing up with true engagement in togetherness. Maya says, “I love how you can really hear the aliveness of people just jamming together. The way the band grooves as Joel and I sing ‘some parts of me are rotting’ was elevating as it happened in real time, and it still gets me when I listen back now.”

“Faith is woven into the fabric of my life in music—faith in what is possible in a relationship when I am the truest version of myself; faith in strangers opening their hearts to my songs; faith in this wild idea that sharing stories of our shared human condition can pull us toward compassion and gratitude. We’re just these hungry and thirsty bodies wandering this planet in our brief and intersecting lifetimes, and I have faith in how we can be each others’ keepers, each others’ teachers. I’m finding a new faith in imperfection, a new faith in ‘mistakes.’ I’m living this faith that love—real, nuanced, imperfect love—is simply so worthy of an endeavor.”

Maya sings and plays acoustic guitar on the entire album, and she enlisted Spencer Cullum and Ethan Ballinger (both members of Miranda Lambert’s touring band) for pedal steel and guitar, alongside Jo Schornikow (of alt-country/indie band Phosphorescent) on keys. They are joined by frequent members of de Vitry’s live band: Ethan Jodziewicz on bass, Dominic Billett on drums, and Shelby Means and Joel Timmons on harmony vocals. The band’s playing is responsive, uninhibited, and emotionally spot-on. True to de Vitry’s vision, everything that you hear on this record was captured in real time and recorded over three days at The Tractor Shed in Goodlettsville, TN, from November 23 to 25, 2025.

From canyons to kitchens, from cold lakes to highway truck stops, the songs form a vibrant collage of joy, sorrow, and gut-wrenching honesty. Whether spinning an inspirational tale about hungover bachelorettes at the Nashville airport or exploring the prison of our own adaptations, de Vitry brings a grounded confidence and quiet charisma rooted in her belief in the power of song to change us.

“Coin in Your Soul,” inspired by a passage in Proverbios y Cantares by Spanish poet Antonio Machado, examines the notion that the real richness and discovery in life are found through the act of sharing with one another directly from our spirits, our souls. Furthermore, “Adaptation” explores the idea that people’s ability to be so incredibly adaptable can also get us in trouble and keep us trapped in the status quo.

Some album highlights are the witty and uplifting true story of “Bachelorette Lessons,” a whimsical and ripe “Occasional Oranges,” and the deeply personal “Traveller.”

The bold and bright “Confidence of the Sun” was released as the album’s first streaming single. The Bluegrass Situation writes, “Written in the warm and soft sunlight of the Texas hill country, the track showcases de Vitry’s penchant for finding redemption in herself, in breaking old habits, and in being present – within music and without – to do so. It’s a lovely harbinger for what’s to come…”

There’s a common thread running through this record of being willing to name the painful and difficult parts of human relationships. Universally resonating, “Nobody Else” is a different sort of love song that Maya describes as “an ode to the tension and tenderness of growing pains in a long-term relationship, and it specifically takes place after a fight in the kitchen over who knows what. Some days we are civil to strangers, but then we come home and take things out on the people who are closest to us.”

In “Cold Lake, Good Snacks,” she considers her relationship with touring and being on “the road,” and the album closes out with “No Time to Rush,” serving as an epilogue, of sorts.

All My Faith embraces love as more than a concept with many facets and nuances; it is tangible and expansive. With each song, love is present. Love is an action, a decision, an experience, and the connective energy in the space between people and nature. Love is looking into and accepting the mirror, looking at and acknowledging the shadows. Love moves through time. It is a universal force that can be consciously cultivated and shared. Love is a gift. All My Faith is Maya’s gift of love to her audience, her family, her partner, her friends, and herself.

“In my music, I am focused on our shared humanity and the ways we can imagine beyond our own lived experiences and find more compassion for ourselves and for everyone we are sharing this brief glimpse of this earthly life with,” says Maya, shining a light into the arc of time. “In all the traveling I’ve done, in all these conversations with folks around the country, I find an unbelievable amount of nuance, like this great biodiversity of opinion. I’d like my music to feel like you are invited into a lush living forest or into a remote river canyon where suddenly you are stripped of not only modern conveniences but also modern distractions. Where you can feel the essence of your own humanity and those around you. Where suddenly a stranger’s story becomes interesting, or where you might choose teamwork and problem-solving and creativity over dogma. Where reciprocity and care start to feel more natural than just about anything else.”

Maya continues to tour in North America and Europe, whether solo, with her band, as part of other bands, or supporting artists like The Wood Brothers, Aoife O’Donovan, John Craigie, and Mighty Poplar. When she is not on the road, she works as a record producer for other artists within her musical circle (Joel Timmons, Shelby Means, Hannah Delynn). Maya’s songs have been recorded by The Milk Carton Kids, Nicholas Jamerson, Lindsay Lou, Steve Poltz, and Bronwyn Keith-Hynes, and her skills as a multi-instrumentalist and harmony singer have contributed to many Nashville recordings.

She has built a devoted following, drawn to her magnetic voice and hard-won sense of purpose. Maya’s newfound sense of liberation is especially apparent in her live shows, which have become a space for spontaneity, peace, and freedom, often woven together with personal stories that connect the songs. “After the show, I just want to know if I’ve helped you feel more free,” Maya says. “That’s my unspoken agreement—to myself, my bandmates, and everyone in the audience.”

With All My Faith, de Vitry speaks to what drives her: “the delicate shared essence of this fragile and fleeting human experience; the beauty of this world and gratitude for getting to live on such an abundant planet; the magic of melodies and rhythm, and how they help to communicate stories in a way that seems to reach into our very souls.”

The result is music that is, quite literally, the intoxicating sound of faith in action—a bandleader fully trusting in her life experiences, her craft, her collaborators, and the moment. It captures the presence she has been cultivating in her live shows, and hearing it magnified on record is its own revelation.

For more information and updates, please visit www.mayadevitry.com, facebook.com/mayadevitrymusic, instagram.com/mayadevitry, and youtube.com/@mayadevitry.